Thursday, June 24, 2010

Lord Shiva Stories

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The Tiger & the Leaves:
Once a hunter while chasing a deer wandered into a dense forest and found himself on the banks of river Kolidum when he heard the growl of a tiger. To protect himself from the beast he climbed up a tree nearby. The tiger pitched itself on the ground below the tree fostering no intention to leave. The hunter stayed up in the tree all night and to keep himself from falling asleep, he gently plucked one leaf after another from the tree and threw it down.
Under the tree was a Shiva Linga and the tree blessedly turned out to be a bilva tree. Unknowingly the man had pleased the deity with bilva leaves. At sunrise, the hunter looked down to find the tiger gone, and in its place stood Lord Shiva. He prostrated before the Lord and attained salvation from the cycle of birth and death. 
 
Ganga Comes Down to Earth :
A legend from the Ramayana speaks of King Bhagirath who once meditated before Lord Brahma for a thousand years for the salvation of the souls of his ancestors. Pleased with his devotion Brahma granted him a wish. He requested the Lord to send the river Ganges down to earth from heaven so that she could flow over his ancestors' ashes and wash their curse away and allow them to go to heaven.
Brahma granted his wish but asked him to pray to Shiva, for he alone could support the weight of her descent. Accordingly he prayed to Shiva and he allowed the Ganges to descend on his head, and after meandering through his thick matted locks, the holy river reached the earth. This story is re-enacted by bathing the 'linga'.

Why Shiva is Worshiped in His Phallic Form :
According to another legend, once Brahma and Vishnu , two other deities of the holy Trinity, had an argument as to their supremacy. Brahma being the Creator declared himself to be more revered, while Vishnu, the Preserver, pronounced that he commanded more respect.
Just then a colossal 'lingam', known as Jyotirlinga, blanketed in flames, appeared before them. Both Brahma and Vishnu were awestruck by its rapidly increasing size. They forgot their quarrel and decided to determine its size. Vishnu assuming the form of a boar went to the netherworld and Brahma as a swan flew to the skies. But both of them failed to accomplish the self-assumed tasks. Then, Shiva appeared out of the 'lingam' and stated that he was the progenitor of them both and that henceforth he should be worshiped in his phallic form, the 'lingam', and not in his anthropomorphic form.

Lord Shiva

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The Powerful God:
Shiva is 'shakti' or power, Shiva is the destroyer, the most powerful god of the Hindu pantheon and one of the godheads in the Hindu Trinity. Known by many names - Mahadeva, Mahayogi, Pashupati, Nataraja, Bhairava, Vishwanath, Bhava, Bhole Nath - Lord Shiva is perhaps the most complex of Hindu deities. Hindus recognize this by putting his shrine in the temple separate from those of other deities.
The Destructive Force:
Shiva is believed to be at the core of the centrifugal force of the universe, because of his responsibility for death and destruction. Unlike the godhead Bhrama the Creator, or Vishnu, the Preserver, Shiva is the dissolving force in life. But Shiva dissolves in order to create, since death is the medium for rebirth into a new life. So the opposites of life and death and creation and destruction both reside in his character.
The Most Fascinating of Gods:
He is also often portrayed as the supreme ascetic with a passive and composed disposition. Sometimes he is depicted riding a bull called Nandi decked in garlands. Although a very complicated deity, Shiva is one of the most fascinating of Hindu gods.
Shiva As Phallic Symbol:
Shiva, in temples is usually found as a phallic symbol of the 'linga', which represents the energies necessary for life on both the microcosmic and the macrocosmic levels, that is, the world in which we live and the world which constitutes the whole of the universe. In a Shaivite temple, the 'linga' is placed in the center underneath the spire, where it symbolizes the naval of the earth.
A Different Deity:
The actual image of Shiva is also distinct from other deities: his hair piled high on the top of his head, with a crescent tucked into it and the river Ganges tumbling from his hairs. Around his neck is a coiled serpent representing Kundalini or the spiritual energy within life. He holds a trident in his left hand in which is bound the 'damroo' (small leather drum). He sits on a tiger skin and on his right is a water pot. He wears the 'Rudraksha' beads and his whole body is smeared with ash.

The God Who's Always High:
Since Shiva is regarded as a mighty destructive power, to numb his negative potentials he is fed with opium and is also termed as 'Bhole Shankar', one who is oblivious of the world. Therefore, on Maha shivarathiri the night of Shiva worship, devotees, especially the menfolk, prepare an intoxicating drink called 'Thandai' (made from cannabis, almonds, and milk) sing songs in praise of the Lord and dance to the rhythm of the drums.
Nataraj, the dancing form of Lord Shiva, is a symbolic synthesis of the most important aspects of Hinduism, and the summary of the central tenets of this Vedic religion. The term 'Nataraj' means 'King of Dancers' (Sanskrit nata = dance; raja = king). In the words of Ananda K. Coomaraswamy, Nataraj is the "clearest image of the activity of God which any art or religion can boast of…A more fluid and energetic representation of a moving figure than the dancing figure of Shiva can scarcely be found anywhere," 
 
The Origin of the Nataraja Form:
 
An extraordinary iconographic representation of the rich and diverse cultural heritage of India, it was developed in southern India by 9th and 10th century artists during the Chola period (880-1279 CE) in a series of beautiful bronze sculptures. By the 12th century AD, it achieved canonical stature and soon the Chola Nataraja became the supreme statement of Hindu art.
 
The Vital Form & Symbolism:
 
In a marvelously unified and dynamic composition expressing the rhythm and harmony of life, Nataraj is shown with four hands represent the cardinal directions. He is dancing, with his left foot elegantly raised and the right foot on a prostrate figure — 'Apasmara Purusha', the personification of illusion and ignorance over whom Shiva triumphs. The upper left hand holds a flame, the lower left hand points down to the dwarf, who is shown holding a cobra. The upper right hand holds an hourglass drum or 'dumroo' that stands for the male-female vital principle, the lower shows the gesture of assertion: "Be without fear."
Snakes that stand for egotism, are seen uncoiling from his arms, legs, and hair, which is braided and bejeweled. His matted locks are whirling as he dances within an arch of flames representing the endless cycle of birth and death. On his head is a skull, which symbolizes his conquest over death. Goddess Ganga, the epitome of the holy river Ganges, also sits on his hairdo. His third eye is symbolic of his omniscience, insight, and enlightenment. The whole idol rests on a lotus pedestal, the symbol of the creative forces of the universe.
 
The Significance of Shiva's Dance:
 
This cosmic dance of Shiva is called 'Anandatandava,' meaning the Dance of Bliss, and symbolizes the cosmic cycles of creation and destruction, as well as the daily rhythm of birth and death. The dance is a pictorial allegory of the five principle manifestations of eternal energy — creation, destruction, preservation, salvation, and illusion. According to Coomerswamy, the dance of Shiva also represents his five activities: 'Shrishti' (creation, evolution); 'Sthiti' (preservation, support); 'Samhara' (destruction, evolution); 'Tirobhava' (illusion); and 'Anugraha' (release, emancipation, grace).
The overall temper of the image is paradoxical, uniting the inner tranquility, and outside activity of Shiva.

Wednesday, June 2, 2010

Lord Vinayaga

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Ganapathi Gayathri Mantra

"OM Ekadantaya Vidmahe
Vakkratundaya Dheemahi
Tanno Danti Prachodayat"



Lord Vinayaka, The Great God of Hinduism is humbly adorned by the hindu from all over the world in their daily life. He is the Elder Son of Lord Shiva and has significance in almost all temples of Hinduism in all over the world. 


Lord Ganesh, Lord Vignesh, Lord Ganapathy, Lord Pillayar are some of the other names of this God. Lord Vinayaka means one who has no leader and He is the leader of all and Lord Vignesh means that He is the God of averting obstacles. Here Vigna means obstacles. Lord Ganesh or Lord Ganapathy means that He is the Captain of all good forces.


The mouse is the vehicle of Lord Vinayaka. In every temple of India there is an idol of mouse placed infront of Him. The people suffering from malefic planets are faithfully worshipping Him to get relief of them. Lord Vinayaka Moola Mantra is 'Om Gam Ganapataye Namaha'.




The story of Lord Vinayaka
The following story is narrated about the birth and how He came to have an elephant head. Once upon a time Godess Shakthi wanted to take bath in Her home after creating Lord Ganesh out of white mud by Her spiritual. She put Him as a security and told Him not to allow any body inside. Lord Shiva was returning home and stopped by Lord Vinayaka. Lord Shiva got angry and cut off his head as He thought Lord Vinayaka was an outsider. When Godess Shakthi came to know this she was sorely grieved. To console Her Lord Shiva ordered His servants to bring a head of any creature that might be sleeping its head facing north. The servants went on their mission and found only an elephant in that position. The sacrifice was thus made and the elephant's head was brought before Lord Shiva. The Lord then joined the elephant's head to the body of Lord Vinayaka. Lord Shiva made His son worthy of worship at the beginning of all undertakings, marriages, studies, etc. He ordained the annual worship of Lord Vinayaka.

 

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